No Ordinary House: Inside Interior Designer Nichola's 1930s Renovation in Muswell Hill, North London

Produced & Written by Dan Burge | 27 September 2026

HomeInspire visited Nichola, founder of interior design studio No Ordinary House, and her own home in Muswell Hill, North London — a 1930s house extended by over 7 metres, dug down into a full basement, and reworked around a courtyard and a living wall that runs through five rooms of the home. Working with Mulroy Architects, the project turned a house Nichola admits she wasn't sure about at first into a home built entirely around how her family actually lives.

women in green dress standing in a gold and black kitchen
drone shot of a detached house with blue skies and hedges with large glazing and dormers

From a House She Didn't Love to a Home Built Around How They Live

A House With the Right Bones, if Not the Right First Impression

Nichola is candid about how the project started. "When we first saw it, we actually didn't like the house at all, but we knew we could do something with it because it had a great footprint, great location, and orientation was south facing, which is what we were looking for." The family didn't move in straight away either, staying in their previous home nearby while the project developed — which turned out to matter for how the scope of the build eventually changed.

A Mid-Project Decision to Add a Basement

What began as a more straightforward renovation grew significantly just before it went out to tender. "As we were about to go to tender, we had this bright idea that we were going to add more social space into the project and create a basement. So then that took about another six to eight months of surveys, planning permissions etc, to then start the basement." Work on the basement itself began in October 2021, adding a new layer of planning, water table surveys and structural engineering to a project that had originally been designed without one.

Keeping the 1930s Character

Rather than stripping the house back, Nichola built around the details she liked about the period. "One of the things I love about 1930s homes is the wide open hallways... but the floor above made it feel very low and just a little bit oppressive. So we wanted to open that up, increase the light into the hallway." With the hallway facing north, she leaned into the lack of direct light rather than fighting it, painting the space in a dark green and adding a bespoke Buster + Punch pendant to anchor it.

living wall in internal courtyard with glazing either side
study with sofa and wooden desk, panelling and a rug

The Ground Floor: A Courtyard Cut Into the Centre of the Home

Removing the Old Playroom and Disconnected Extension

Before the renovation, reaching the garden meant walking through either the kitchen or a playroom into a 1980s extension. "There's a real disconnect with the garden from the home. And also there's a lot of really dark internal rooms." That layout was removed entirely, opening a direct route from the centre of the house out to the garden.

A New Courtyard, and a Change of Plan

In its place, Mulroy Architects proposed a courtyard to bring daylight into the middle of the old plan. "The architects, Mulroy Architects, came up with the idea of a courtyard in the centre of the home to bring light into this old part." The courtyard's role changed once the basement was added to the brief. "Originally, this was all going to be part of the kitchen and this was going to be a gallery wall for our art. But then when we laterally decided to do the basement, this became the stairwell down into the basement."

Herringbone Flooring, Rebuilt Rather Than Restored

Energy efficiency took priority over keeping the original floor. "One of the things with the house is I was really keen to keep the original floor, which was herringbone throughout... but then that overrode the decision to make the house more energy efficient. So we wanted underfloor heating throughout the whole home." The original boards couldn't be saved once the insulation and heating went in, so new herringbone flooring was laid to match what had been there before.

black and gold kitchen with polished concrete floor and marble worktop
living room area with polished concrete floor with mid century furniture and tv

The Kitchen and Extension: Nichola's Starting Point

A Black and Brass Kitchen, Designed by Nichola Herself

The kitchen came before almost every other decision in the house. "The kitchen for me was my starting point actually. I couldn't wait to design a brand new kitchen... I kind of knew I wanted a black kitchen with brass. That was kind of my starting point." Nichola designed the layout herself before working with local supplier Point 5 Kitchens and joinery specialist Quirky Interiors to deliver it, choosing a black wood-grain finish with a porcelain worktop and a six-ring hob rather than the standard four. One compromise came from the new basement stairs: "Because we put the downstairs to the basement now, we had to compromise the direct access from the kitchen into the utility room."

A 7-Metre Extension, Shaped Around a Listed Oak Tree

Being a detached house gave the project more room to work with under permitted development. "The previous extension on the back of the house was I think a 3 metre extension, but this house is detached, so with permitted development rights we can have up to seven or eight metres. So I think this one's just over seven metres. It's huge." Mulroy Architects worked through several massing options before landing on the final form. "There was a lot of design concept designs with Mulroy on how to do this... we had a curve at one point, which would have been amazing, but they all started pushing up the cost. So we decided a flat back, but a flat back would be quite boring." The solution was to raise the roofline on one side rather than keep it flat throughout, to preserve views of a protected tree in the garden. "We have a listed oak tree in our garden, and if we'd just had it at low height, we'd have just been looking at the tree trunk, which would have been a bit sad. So by just raising the ceiling up and looking at the tree, it's just really changed the space."

Bringing the Garden Inside

Materials were chosen to blur the line between the kitchen and the garden beyond it. "We really wanted the inside-out feel, so it runs straight out to the terrace... and another connection I wanted to make with the outside is I've deliberately gone for the black walls." The same black was carried out into the garden fencing on either side of the house, pulling the two spaces together visually.



women standing in front of a detached property in north london with hedges and concrete paving

The Living Wall and Biophilic Design

A Feature Visible From Five Rooms

The living wall sits at the centre of the office and reaches into much of the rest of the ground floor. "One of the main features of the home, it's my absolute favourite and a real luxury for the home, is our living wall. I really wanted connection from the office to nature, and actually you can see this wall from five zones in the home." It's still filling in — the current wooden framing will eventually disappear entirely behind planting — and has already attracted nesting birds.

Light, Sound and Air, Not Just Planting

For Nichola, the wall was one part of a wider approach to designing the space. "It was part of the whole thinking of the biophilic thinking of light, sound, air, because you can hear the water irrigating the wall when you're sitting in the office with the door open." An early idea for a fountain or water feature was dropped in favour of something less corporate-feeling, with the wall's irrigation providing the sound element instead.

 

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The Basement: From Storage Space to Social Hub

A Six-Month Dig, and Months More in Planning

Adding the basement late in the process meant a separate planning process from the rest of the extension. "This took six months to just dig the hole out of the ground and pour some concrete in. Planning for this was required, obviously, and that took quite some months because we had to get special surveys and they had to check the water table." Between design and construction, the basement added roughly a year to the project timeline.

A Cinema Room, a Lockable Bar and a Wine Wall

The extra space was built for entertaining, shaped partly by the family's experience of lockdown. "We created the cinema room and we wanted lots of seating... this end became the bar and DJ decks. One of my husband's hobbies through lockdown was his decks and DJing, so we wanted to create a space for that." With teenagers regularly in the house, the bar was designed to be secured. "I wanted to make it a lockable bar rather than a standard bar, so that we can close the doors and lock it." Alongside it, a temperature-controlled wine wall replaced a section originally planned as storage. "Wine rooms are obviously very, very expensive, but this is a more cost-effective way to store wine... it just kept out of the kitchen. I didn't want the look of the wine room in the kitchen either."

Designed to Convert Into a Self-Contained Space

Underlying several of the basement's design decisions was the option to separate it from the rest of the house in future. "One of my thinking for the basement was it could become a self-contained living space potentially in the future. So with having the wet bar, it means you've got the option — we've got a dishwasher, sink, all that plumbed in already." The adjoining home gym was designed with the same flexibility, wired and floored as if it were already a bedroom. "I've actually put in sockets as if this would be a bed. So this could be a bedroom in the future potentially... it would just be a matter of lifting up the gym mats."

corner sofa in a home cinema with projector on ceiling and large rug
gym area with boxing bag and large glazing and timber cladding

A Home Built Around How the Family Lives

Upstairs, three original bedrooms facing the rear of the house were reworked into one larger master suite, with the two boys given en-suite rooms in the loft instead of the more traditional top-floor master. "We decided that the boys could walk the extra floor up, so we've given them the two rooms at the top, and we have the larger first-floor master suite." Outside, the extension's flat roof is fitted with solar panels, and the house was rendered and painted to match the surrounding properties, keeping the more significant changes — the courtyard, the basement, the extension — largely hidden from the street.

It's a long way from the house Nichola describes viewing for the first time. "We were optimistic that we could do something exciting with this home, and I think we did." Between the courtyard, the living wall and a basement that didn't even exist in the original brief, it's also a project that changed shape more than once along the way — evidence, as much as anything, of what a client working as their own interior designer can do when the scope is allowed to grow.


Project Info

Location: Muswell Hill

Owner & Interior Designer: No Ordinary House

Architects: Mulroy Architects

Filmed & Produced by HomeInspire

Written by Dan Burge | Founder of HomeInspire


To see more, watch our full project tour on our YouTube channel!


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